Embedded Files
How modern LED control works with our integrated sender architecture—the logic that used to live in separate receiving cards is now built into the cabinets/modules. You run a single sender and an integrated processor for scaling, HDR colour, and camera-safe synchronization. Below, you’ll find the recommended setups by scenario, capacity guidance, redundancy options, and a step-by-step commissioning flow you can follow on site.
Integrated sender + processor. Built-in receiving. HDR, scaling, and camera-safe sync.
System at a glance
System at a glance
Integrated Sender – drives the wall and handles mapping to modules with built-in receiving logic.
Processor (integrated) – input switching, scaling, 10/12-bit pipelines, HDR tone mapping, test patterns.
Calibration & Sync – uniformity, seam correction, refresh alignment for camera shooting.
Networking – fibre or copper to cabinets; star or segmented loops for serviceability and backup.
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When the “single sender + integrated processor” setup fits best
When the “single sender + integrated processor” setup fits best
Fixed installations in retail, conference, control rooms, hospitality.
Event stacks that prefer faster rigging and fewer SKUs to manage.
Tight cavities / front-service builds where cable management must be simple.
Camera use (presentations, live streams) that require stable refresh and phase alignment.
Capacity guidance: typical single-sender systems comfortably drive ~2–4 million pixels @60 Hz（higher with reduced bit-depth or cascading). For very large canvases or high frame rates, use dual senders with hot backup or segment the wall into zones.
What the processor does for you
What the processor does for you
Scaling & switching: multiple inputs (HDMI/DP/SDI) → 1:1 pixel maps or fit-to-wall.
Colour pipeline: 10/12-bit, gamma/EOTF, colour temperature & 3D LUT style adjustments.
HDR & dynamic range: tone mapping so bright signage and fine-pitch interiors both look right.
Test & safety: built-in test patterns, black-out, safe-area markers, EDID templates.
Genlock / frame sync (models with broadcast features): phase-lock to cameras to avoid scan lines.
Calibration & Sync (camera-safe visuals)
Calibration & Sync (camera-safe visuals)
Uniformity: per-module calibration maintains consistent brightness/colour across the wall.
Seam correction: edge blending & line suppression on cabinet boundaries.
Refresh & scanning: align refresh phase to filming cameras; choose drive modes that minimise moiré.
Flicker hygiene: match frame rates (23.98/24/25/29.97/30/50/59.94/60 Hz) across sources and wall.
Uniformity, seam correction, refresh alignment for filming.
Redundancy & topology options
Redundancy & topology options
Sender backup: dual senders in hot standby or active/active zoning.
Power & network: dual PSUs per cabinet where available; independent network legs for fail-through.
Star over daisy-chain (recommended for service): faster fault isolation, simpler swaps.
Remote monitoring: health, temperature and voltage alerts help you fix issues before events begin.
Recommended setups by scenario
Recommended setups by scenario
Commissioning flow (follow-along checklist)
Commissioning flow (follow-along checklist)
Input plan：decide signal format(s), resolution, and EDID per source.
Canvas map：define wall size, module layout, and logical coordinates.
Sender setup：load the map, push to cabinets, verify addressing.
Processor：set scaling mode, colour pipeline, tone mapping.
Calibration pass：uniformity target (brightness/colour), seam correction, test pattern walk-through.
Sync & camera test：genlock/phase alignment; verify flicker and moiré on camera.
Redundancy drill：pull a cable/power to confirm fail-through behaviour.
Save & label：export profiles, label ports/cabinets, write a quick-start card.
FAQs
FAQs
Do I still need separate receiving cards?
Not with our integrated sender architecture—the receiving logic is built into the modules/cabinets, so cabling and mapping are simpler. For legacy walls with discrete receivers we remain compatible, but new builds don’t require separate receiver cards.
How many senders do I need?
For most walls a single sender is sufficient. If your canvas is extremely large or you want hot backup, use two senders or split the wall into zones.
Can this handle 4K sources?
Yes—feed 4K to the processor; we scale or 1:1 map depending on the canvas. Very high-pixel canvases may use multi-sender zoning for full-resolution playback.
What about filming—will I see banding or “scan lines”?
Use the processor’s camera profiles or manual sync tools to phase-align refresh and frame rate. We validate on site with test clips or your camera.
How is calibration maintained over time?
Uniformity data and profiles are stored per cabinet. During service we run a short re-calibration pass to keep seams and brightness consistent.
Helpful links
→Indoor Fine-Pitch Video Walls
→Looking for non-standard sizes or shapes? Explore our bespoke builds →custom-led-screens
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